Despite the apparent incompatibility between Mozart’s humanitarian and cosmopolitan outlook and Nazi ideology, the Third Reich tenaciously promoted the great composer’s music to further the goals of the fascist regime. In this revelatory book, Erik Levi draws on period articles, diaries, speeches, and other archival materials to provide a new understanding of how the Nazis shamelessly manipulated Mozart for their own political advantage. The book also explores the continued Jewish veneration of the composer during this period while also highlighting some of the disturbing legacies of Mozart reception that resulted from Nazi appropriation of his work. Augmented by rare contemporary illustrations, Mozart and the Nazis will be widely welcomed by readers with interests in music, German history, Holocaust studies, propaganda, and politics in the twentieth century.

"This book fills an important gap in our understanding of the ways in which composers -- Mozart in particular -- are co-opted for social, cultural and political ends. And it teaches us that reception is as significant a part of cultural history as understanding music in its own time and place." (Cliff Eisen, Professor of Music History, King`s College London)

A szerzőről:
Erik Levi is reader in music, Royal Holloway University of London, and author of Music in the Third Reich. He lives in Surrey, UK.